By Babli Mallick
North-East India as we name it a land of ‘Seven Sisters’ includes the states particularly Assam, Arunachal Pradesh, Nagaland, Manipur, Meghalaya, Tripura, Mizoram and the in recent times further Sikkim with 250 social teams and greater than a hundred seventy five languages. This North–East a part of India is hooked up to the remainder of India via a slim strip of twenty-two kms referred to as the Siliguri hall or Chicken’s Neck. curiously, it additionally stocks a superb a part of its border with the neighbouring nations like Bangladesh, Bhutan, Myanmar, China, and Nepal. So, it may be visible that the folk of those states should have social, political, cultural and linguistic commonalities with its neighbouring international locations and for this reason the sector embodies a rainbow of cultures and traditions that varies much from the remainder of India.
Unfortunately, the histories, cultures in addition to the literatures of the North-East India have consistently been perceived as a run of the mill and homogenous entity, with no rather thinking about over the myriad difficulties that permeate the geographical, cultural, spiritual, literary and political borders inside and outdoors the North East. it's going to do good to remember how J. B. Bhattacharjee’s Roots of Insurgency in Northeast India (2007) issues out the ‘real’ insurgency and the ‘made-one’ whereas even as beautiful to not homogenise.
Similarly, as opposed to such generalisations, we've yes North jap writers resembling Indira Goswami, Temsula Ao, Mitra Pukhan, Mamang Dai, Easterine Kire, Sanjay Hazarika, to say a number of, who problematise and interrogate such oversimplifications and apathy of ‘mainland’ humans, writers, leaders, even a number of different Indian and overseas governments.
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